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The View from the Cheap Seats
Cover of The View from the Cheap Seats
The View from the Cheap Seats
Selected Nonfiction
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An enthralling collection of nonfiction pieces on myriad topics—from art and artists to dreams, myths, and memories to comics, films, and literature—observed in award-winning, #1 New York...
An enthralling collection of nonfiction pieces on myriad topics—from art and artists to dreams, myths, and memories to comics, films, and literature—observed in award-winning, #1 New York...
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Description-

  • An enthralling collection of nonfiction pieces on myriad topics—from art and artists to dreams, myths, and memories to comics, films, and literature—observed in award-winning, #1 New York Times bestselling author Neil Gaiman's probing, amusing, and distinctive style.

    As Neil explains, "This book is not 'the complete nonfiction of Neil Gaiman.' It is, instead, a motley bunch of speeches and articles, introductions and essays. Some of them are serious and some of them are frivolous and some of them are earnest and some of them I wrote to try and make people listen."

    Illuminating and incisive, witty and wise, The View from the Cheap Seats explores some of the issues, subjects, and people that matter most to Neil Gaiman—and offers a unique glimpse into the mind of one of the most beloved and influential writers of our time.
 

Awards-

About the Author-

  • Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newbery and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.

Reviews-

  • AudioFile Magazine Neil Gaiman is widely acknowledged for his work as a writer, but his narration of this collection of his essays and speeches reminds listeners that he's a charismatic performer as well. Gaiman's tone ranges as his pieces do--reflective and affectionate when speaking about friends who have died (his essay on Diana Wynne Jones is particularly affecting), amused when speaking of his youth, and passionate when speaking on reading and the importance of genre fiction. His playful accents are a high point, as when he does a not-half-bad impersonation of Stephen King. Fans of Gaiman will be familiar with many of his subjects, and he succeeds in his mission to encourage listeners to revisit favorites and seek out something new. A.F. © AudioFile 2016, Portland, Maine
  • Publisher's Weekly

    Starred review from April 25, 2016
    This collection conclusively proves that Gaiman is just as accomplished an essayist as he is an author of fiction (The Ocean at the End of the Lane) and comics (The Sandman). Echoing Rainer Maria Rilke’s sentiment that “To praise is the whole thing,” the collection is about building things up, not tearing them down. Gaiman’s paeans to books, libraries, and bookstores, which tellingly are grouped together at the start, are heartfelt gems that capture the joy of reading. The author’s eclecticism finds him writing on many disparate subjects; Gaiman is as deft analyzing Batman and G.K. Chesterton as he is describing the plight of Syrian refugees in Jordan. The most meaningful piece is titled simply “Make Good Art”—the 2012 commencement address for the University of the Arts in Philadelphia. The speech is in the same category as David Foster Wallace’s “This Is Water” in terms of wisdom per square inch. Gaiman’s words capture the importance of making art that is sincerely one’s own. With this volume, Gaiman has shown that his nonfiction rivals his much-lauded fiction. Agent: Merrilee Heifetz, Writers House.

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    All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.

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